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The pizzicato style varies between different players and genres. The double bass also differs from members of the violin family in that the shoulders are typically sloped and the back is often angled (both to allow easier access to the instrument, particularly in the upper range). Eduard Bass, eredeti neve: Eduard Schmidt (Prága, 1888. január 1. Die komplette Familie, inklusive Salimatas Eltern Mamita (Marie-Philomène Nga) und Ousmane (Bass Dhem) sind überglücklich. While these smaller-body instruments appear similar to electric upright basses, the difference is that small-body travel basses still have a fairly large hollow acoustic sound chamber, while many EUBs are solid body, or only have a small hollow chamber. Bluegrass bass lines are usually simple, typically staying on the root and fifth of each chord throughout most of a song. This system is particularly useful for basslines that have a repeating pedal point such as a low D because once the note is locked in place with the mechanical finger the lowest string sounds a different note when played open. Five-string instruments have an additional string, typically tuned to a low B below the E string (B0). Careers in double bass vary widely by genre and by region or country. The double bass stands around 180 cm (6 feet) from scroll to endpin. Slightly smaller string works with the double bass include six string sonatas by Gioachino Rossini, for two violins, cello, and double bass written at the age of twelve over the course of three days in 1804. Students perform a number of recitals (around six), including a lecture-recital with an accompanying doctoral dissertation, advanced coursework, and a minimum B average are other typical requirements of a D.M.A. Auch Sänger mit der Gesangsstimme Bass werden so genannt. The late 1970s rockabilly-punk genre of psychobilly continued and expanded upon the rockabilly tradition of slap bass. The bass is a standard member of the orchestra's string section,[2] as well as the concert band, and is featured in concertos, solo, and chamber music in Western classical music. Der Bassumer Utkiek ist ein 87 Meter hoher, künstlich aufgeschütteter Berg im Ortsteil Wedehorn. There are two main exceptions to this rule. Ein Sänger dieser Stimmlage wird einfach Bass oder auch Basso genannt. Notable jazz bassists from the 1940s to the 1950s included bassist Jimmy Blanton (1918–1942) whose short tenure in the Duke Ellington Swing band (cut short by his death from tuberculosis) introduced new melodic and harmonic solo ideas for the instrument; bassist Ray Brown (1926–2002), known for backing Beboppers Dizzy Gillespie, Oscar Peterson, Art Tatum and Charlie Parker, and forming the Modern Jazz Quartet; hard bop bassist Ron Carter (born 1937), who has appeared on 3,500 albums make him one of the most-recorded bassists in jazz history, including LPs by Thelonious Monk and Wes Montgomery and many Blue Note Records artists; and Paul Chambers (1935–1969), a member of the Miles Davis Quintet (including the landmark modal jazz recording Kind of Blue) and many other 1950s and 1960s rhythm sections, was known for his virtuosic improvisations. Reinhold Glière wrote an Intermezzo and Tarantella for double bass and piano, Op. Classical players perform both bowed and pizz notes using vibrato, an effect created by rocking or quivering the left hand finger that is contacting the string, which then transfers an undulation in pitch to the tone. [50], In the early 1950s, the upright bass was the standard bass instrument in the emerging style of rock and roll music, Marshall Lytle of Bill Haley & His Comets being but one example. Some of the most commonly requested orchestral excerpts at bass auditions are from Beethoven's Symphonies Nos. Motown bass player James Jamerson routinely used a double bass for enhancement of the electric bass in post-production ("sweetening") of recorded tracks and vice versa in many instances. Drum and bass (/ dɹʌm ənd beɪs /) (tiež písaný ako drum ’n’ bass alebo drum & bass a často skracovaný na D&B, D+B, DnB alebo D’n’B) je typ elektronickej hudby, známa tiež ako jungle, ktorá vznikla v Anglicku začiatkom 90. rokoch. 7, for double bass and orchestra, dates from 1992. These parts are usually given to the cello section, since the cello is a smaller instrument on which these techniques are more easily performed. The most famous is Franz Schubert's Piano Quintet in A major, known as "The Trout Quintet" for its set of variations in the fourth movement of Schubert's Die Forelle. Biography. Athol Guy of the Australian folk/pop group The Seekers plays an upright bass. Most bassists earn their living from a mixture of performance and teaching jobs. "In Australia, the John Butler Trio has established itself as one of the most successful independent acts in recent history. 5, 7 and 9; Strauss's Ein Heldenleben and Don Juan; Mozart's Symphonies Nos. [10] because thicknesses needed for regular gut strings made the lower-pitched strings almost unplayable and hindered the development of fluid, rapid playing in the lower register. The player may tune the low E string down to the lowest note required in the piece: D or C. Four-string basses may be fitted with a "low-C extension" (see below). At the base of the double bass is a metal rod with a spiked or rubberized end called the endpin, which rests on the floor. They are also expected to know the rhythmic patterns that are appropriate for different styles (e.g., Afro-Cuban). Some players use the more nimble tips of the fingers to play fast-moving solo passages or to pluck lightly for quiet tunes. Other works for this instrumentation written from roughly the same period include those by Johann Nepomuk Hummel, George Onslow, Jan Ladislav Dussek, Louise Farrenc, Ferdinand Ries, Franz Limmer, Johann Baptist Cramer, and Hermann Goetz. In some cases, blues or rockabilly bassists may have obtained some initial training through the classical or jazz pedagogy systems (e.g., youth orchestra or high school big band). Vibrato is used to add expression to string playing. We couldn't find any rhymes for the word Bass Dhem. Despite the size of the instrument, it is not as loud as many other instruments, due to its low musical pitch. program. Double bass rosin is generally softer and stickier than violin rosin to allow the hair to grab the thicker strings better, but players use a wide variety of rosins that vary from quite hard (like violin rosin) to quite soft, depending on the weather, the humidity, and the preference of the player. Dragonetti wrote ten concertos for the double bass and many solo works for bass and piano. Bassists who stand and bow sometimes set the endpin by aligning the first finger in either first or half position with eye level, although there is little standardization in this regard. The use of tenor or treble clef avoids excessive ledger lines above the staff when notating the instrument's upper range. The Double bass has a similar structure to the cello. Bottesini's bass concertos were written in the popular Italian opera style of the 19th century, which exploit the double bass in a way that was not seen beforehand. In orchestral repertoire and tango music, both arco and pizzicato are employed. Some bassists carry their bow in a hard bow case; more expensive bass cases have a large pocket for a bow case. These parts do not double the cello part. The Berlioz–Strauss Treatise on Instrumentation (first published in 1844) states that "A good orchestra should have several four-string double-basses, some of them tuned in fifths and thirds." Dazu wandelt ein eingebauter elektromagnetischer Tonabnehmer die Schwingungen der Saiten in elektrische Signale um, die normalerweise durch einen Verstärker hörbar gemacht werden. Frank Proto has written a Trio for Violin, Viola and Double Bass (1974), 2 Duos for Violin and Double Bass (1967 and 2005), and The Games of October for Oboe/English Horn and Double Bass (1991). The leading figure of the double bass in the early 20th century was Serge Koussevitzky, best known as conductor of the Boston Symphony Orchestra, who popularized the double bass in modern times as a solo instrument. Bach suite for solo cello or a movement from a bass concerto and a variety of excerpts from the orchestral literature. Als Bass (von lateinisch bassus ‚stark ‘, ‚reichlich‘; Pl. The lowest string is typically tuned down to C1, an octave below the lowest note on the cello (as it is quite common for a bass part to double the cello part an octave lower). Throughout classical repertoire, there are notes that fall below the range of a standard double bass. Double bass ensembles include L'Orchestre de Contrebasses (6 members),[31] Bass Instinct (6 members),[32] Bassiona Amorosa (6 members),[33] the Chicago Bass Ensemble (4+ members),[34] Ludus Gravis founded by Daniele Roccato and Stefano Scodanibbio, The Bass Gang (4 members),[35] the London Double Bass Ensemble (6 members) founded by members of the Philharmonia Orchestra of London who produced the LP[36] Music Interludes by London Double Bass Ensemble on Bruton Music records, Brno Double Bass Orchestra (14 members) founded by the double bass professor at Janáček Academy of Music and Performing Arts and principal double bass player at Brno Philharmonic Orchestra – Miloslav Jelinek, and the ensembles of Ball State University (12 members), Shenandoah University, and the Hartt School of Music. [citation needed]. Sam Bass (Mitchell, Lawrence megye, 1851. július 21. cseh író, újságíró, színész, dalszövegíró. The book then shows a tuning of E1–G1–D2–A2) from bottom to top string. Holland also recorded an album with the representative title Music from Two Basses (1971) on which he plays with Barre Phillips while he sometimes switches to cello. Unlike the violone, however, the fingerboard of the double bass is unfretted, and the double bass has fewer strings (the violone, like most viols, generally had six strings, although some specimens had five or four). The tenor clef is also used by composers for cello and low brass parts. While bassists such as Jack Cook slap bass on the occasional faster "Clinch Mountain Boys song", bassists such as Gene Libbea, Missy Raines, Jenny Keel, and Barry Bales [rarely] slap bass. While amplification is rarely used in classical music, in some cases where a bass soloist performs a concerto with a full orchestra, subtle amplification called acoustic enhancement may be used. [citation needed] Bowed notes in the lowest register of the instrument produce a dark, heavy, mighty, or even menacing effect, when played with a fortissimo dynamic; however, the same low pitches played with a delicate pianissimo can create a sonorous, mellow accompaniment line. There are also jazz summer camps and training festivals/seminars, which offer students the chance to learn new skills and styles. 985–2,395 m (3,232–7,858 ft) 1 French Land Register data, which excludes lakes, ponds, glaciers > 1 km 2 (0.386 sq mi or 247 acres) and river estuaries. This endpin is generally thicker and more robust than that of a cello, because of the greater mass of the instrument. Some fifth tuning bassists who only have a four string instrument and who are mainly performing soloistic works use the G–D–A–E tuning, thus omitting the low C string but gaining a high E. Some fifth tuning bassists who use a five-string use a smaller scale instrument, thus making fingering somewhat easier. In the baroque and classical periods, composers typically had the double bass double the cello part in orchestral passages. However, with modern steel strings, bassists can play with clear tone in higher positions on the low E and A strings, particularly when they use modern lighter-gauge, lower-tension steel strings. "[17] Rockabilly and bluegrass bassists also prefer gut because it is much easier to perform the "slapping" upright bass style (in which the strings are percussively slapped and clicked against the fingerboard) with gut strings than with steel strings, because gut does not hurt the plucking fingers as much. Die Große Trommel, auch Bass Drum (englisch; [ ˈbeɪsˌdɹʌm ]) oder Gran Cassa (italienisch) ist ein großes, hauptsächlich auf tiefen Tonfrequenzen klingendes Schlaginstrument, das in vielen Bauvarianten vorkommt. From the 1960s through the end of the century Gary Karr was the leading proponent of the double bass as a solo instrument and was active in commissioning or having hundreds of new works and concerti written especially for him. In the realm of even larger works, Mozart included the double bass in addition to 12 wind instruments for his "Gran Partita" Serenade, K.361 and Martinů used the double bass in his nonet for wind quintet, violin, viola, cello and double bass. In the 19th century, the opera conductor, composer, and bassist Giovanni Bottesini was considered the "Paganini of the double bass" of his time, a reference to the violin virtuoso and composer.

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