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Any standard 62mm snap-in lens cap will snap into the front of the 12586 hood while it's in the shooting position. As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. So how sharp is this professional 1961 SUMMILUX design compared to the latest and greatest lenses from consumer manufacturers? The newest LEICA SUMMILUX 50mm f/1.4 ASPH has far, far superior bokeh to this lens. Like many fast normal and wide lenses, it is at its softest about 15mm away from the center. October 2013   LEICA Reviews  LEICA Lens Reviews   All Reviews, NEU: LEICA SUMMILUX 50mm f/1.4 ASPH (2004-today). Capped and hooded ensemble: 12.307 oz. For use with color transparency film outdoors, I prefer an 81A filter. The SUMMILUX is always sharp in the center. The plane of best focus is curved at close focus distances. Potrebbe essere ordinato per ruolo. LEICA also explained that the SUMMILUX is designed above all for exposures in poor lighting conditions, especially when shooting into light sources. In 2003, LEICA shared that it delivers an exact color differentiation and it is virtually free of coma. I don't trust that these listings are true. It takes 43mm filters, weighs 301g and focuses to 1m. I expect that they should be much worse than an older version used with the 12 586 hood. LEICA also tells us it has "subtle contrast transition" at full aperture. This was LEICA's first 50mm f/1.4 which used an older, inferior optical design. I recommend them all personally. //-->. Even though the optics are the same from 1961 through 2004, the mechanics and cosmetics went through several changes. This sample from 1964 has a slightly stiffer aperture ring that sometimes takes a firmer finger (or two fingers) to set, and I suspect an overhaul would make it as free as every other LEICA lens. google_ad_client = "pub-9972917844935201"; Since there are two thread pitches running around for 43mm lens accessories, regardless of the pitch of your lens, there is a very good chance that whatever non-LEICA item you attempt to screw into your SUMMILUX won't have the correct pitch. Backgrounds at large apertures are very far out of focus, but not completely smooth washes of tone. This traditional non-aspherical (spherical) lens was LEICA's, and thus the world's, best for over forty years. Its cosmetics may have changed, but not its optics or compatibility. Here are crops from extremely enlarged prints of about 35 x 52" (90 x 135cm), or the equivalent of looking at the center of LEICA M9 images, shot as DNG and converted in Apple Aperture 3, at 100% on-screen. Stade François-Blin  5.228 posti, Bilancio trasferimenti: This free site is supported by your using those, and these links, when you get anything, regardless of the country in which you live. Some casual users refer to this as "Type 3.". A later E43 plastic Klemmdeckel (clip-on cap) Nr. Rear, LEICA 50mm f/1.4 SUMMILUX. The absolute calibration of the apertures matches my other lenses, which is critical for perfect exposure when used with an external meter. google_ad_format = "120x600_as"; You won't see this in real photography, but if it worries you, choose the newest f/2 SUMMICRON-M instead. The 50mm SUMMILUX is one of photography's greatest and longest lived lenses. Divide this number by ten and add to 50 to get the actual focal length in millimeters. For 43mm filters, I'd use a 43mm B+W 81A, 43mm B+W #022 Medium Yellow, or 43mm B+W UV. Edge view, 14 036 hood cap (45ø) for 12 521 G hood. Maximum diameter (focus ring): 2.097" (53.31mm), measured (1964 version). For color print film or digital, you want a LEICA 46mm 13 005 silver-ring UV filter (or a LEICA 46mm 13 004 black-ring UV filter) for protection. It costs you nothing, and is this site's, and thus my family's, biggest source of support. To attach and remove this cap, just press the hood's release tabs and it drops right in or out. If you bought yourself a new M3 in the 1960s when you were first starting your practice just out of medical school, this was the most exotic f/1.4 lens of which you could dream. Locks in with hood clamps. I don't prefer this older fluted focus ring because it expects your fingers to drop into the flutes. For every armchair photographer who thinks that there have been improvements in manufacturing techniques over 40 years, there are just as many pros who will explain that LEICA's grandest years were the 1950s and 1960s which created the SUMMILUX in the first place, and that the products of these golden years are LEICA's best ever. lens distortion filter. They just barely come up to the lower right tip of the 50mm frame when focused to 1 meter. Worse, at f/1.4 they become ovals towards the sides of images. Secret Focal-Length Code Number. If you haven't helped yet, please do, and consider helping me with a gift of $5.00. If you chose this lens today, you have chosen a proven winner. The performance of this SUMMILUX is worlds better than Nikon's 5cm f/1.4. The field of best focus at close distances is actually a bowl that curves to get closer to you as you get farther away from the enter. Finder blockage: M9 0.72x, focus at infinity, no hood. © 2013 KenRockwell.com. The blades always form a perfectly symmetrical 12-sided aperture, unlike SLR lenses which often are uneven. LEICA M3 and SUMMILUX 50mm f/1.4. It takes the crinkle-coat black-and-chrome 12 521 hood. The 43mm filter thread versions do not block the finder when used without hoods. 6  30,0 %, Nazionali: In 1999, LEICA still praised its extraordinary speed and remarkably neutral color rendition, and that sharpness and contrast are still outstanding at full aperture. Remember, this is a super high-speed lens designed for shooting hand-held in the dark, not for copy-stand use. google_color_text = "000000"; lens distortion filter, real photographers don't worry about every last pixel of sharpness. They have very precise, long-throw focus rings that spread the range from infinity to 1 meter across 180º of rotation, The 46mm filter-threaded versions (1992-today) focus more quickly, covering a broader range from infinity to 0.7 meters in less than 180.º. The same optical design was sold, with different cosmetics, until 2004. These single coatings were designed so well that even the newest version uses them instead of multicoating. It's about what I'd expect from a lens of this vintage; its bokeh is almost as weird as the NIKKOR-S 5cm f/1.4. There is no visible falloff for regular photography, even at f/1.4. Even if with inflation, the SUMMILUX holds it value over the decades, while cranking out jaw-dropping photos all along the way. Finder blockage: M9 0.72x, focus at infinity, 12 521 G conical hood. 1992-2004: 0.7m, which is a reproduction ratio of 1:11.6 covering a field of about 277 x 416 mm. ** retail prices both corrected for inflation in 2009 and at the time at B&H Photo Video in NYC, which are less than catalog prices. google_ad_width = 120; 1992-2004: 0.7m, which is a reproduction ratio of 1:11.6 covering a field of about 277 x 416 mm. (3.65g). I've not seen any performance variation with year for other lenses. (35.1g). ** Any rear M cap of any vintage works on all of these lenses. It is differentiated from the newer optical design below by its serial numbers of 1 844 000 and below. Facebook is showing information to help you better understand the purpose of a Page. Newer 43mm non-LEICA filters have a coarser 0.75mm pitch. All the 43mm filter-threaded versions (1959-1991) favor precision over speed. Adorama pays top dollar for your used gear. I confirmed this: at close range, it has curvature of field which is fine for normal subjects, but poor for copying secret documents. Get the SUMMILUX if you absolutely, positively need f/1.4, otherwise, choose the SUMMICRON f/2.

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